Lurking
behind Alfred Hitchcock, cinema's "master of suspense" -- the
extraordinary film icon known for orchestrating some of the most intense
experiences of menace and intrigue audiences have ever seen, was a hidden side:
his creatively explosive romance with his steadfast wife and filmmaking
collaborator, Alma Reville.
Photo courtesy of Fox Searchlight |
Now,
for the first time, Fox Searchlight's searing drama “Hitchcock” lays bare their
captivating and complex love story. It does so through the sly, shadowy lens of
their most daring filmmaking adventure: the making of the spine-tingling 1960
thriller, “Psycho,” which would become the director's most controversial and
legendary film. When the tumultuous, against-the-odds production was over,
nothing about movies would ever be the same - but few realized that it took two
to pull it off.
Starring
Oscar-winners Anthony Hopkins and Helen Mirren as Alfred and Alma,
respectively, “Hitchcock” will be shown starting Feb. 6 exclusively at Ayala
Malls Cinemas nationwide. Moviegoers can catch the film at Glorietta 4,
Greenbelt 3, Trinoma, Alabang Town Center, Market! Market!, Ayala Center Cebu,
Marquee (Central Luzon), Abreeza (Davao), Harbor Point (Subic) and Centrio
(Cagayan de Oro).
The
film also stars Scarlett Johansson, Jessica Biel and James D'Arcy.
In
the world of Alfred Hitchcock's movies, chaos, danger and sinister evil hide in
the shadows of his characters' ordinary lives. But what about Hitchcock's own
everyday life? The consummately skilled director carefully cultivated a public
persona - constructed out of his portly silhouette and macabre wit - that
managed to keep his inner psyche tightly under wraps. But for decades the
question has lingered: might there be a way to get inside Hitchcock not as an
icon but as a person?
For
“Hitchcock” director Sacha Gervasi, the answer lay in a woman. Not one of the
notorious "Hitchcock Blondes" whose cool, aloof beauty and power
graced and haunted his films, but a woman who has been largely unknown to the
world: his talented wife, Alma, who from behind the scenes deeply influenced
Hitchcock's work, penetrated his defenses and became his silent modest
co-creator.
"I
always felt the core of `Hitchcock' had to be the love story between Alfred and
Alma," Gervasi comments. "They had this dynamic, complex,
contradictory, beautiful, painful relationship that was not just a marriage but
a real creative collaboration. I was really interested in how these two very
strong-minded people lived with each other and created together and that
brought a whole new perspective to the story of how `Psycho' was made. Without
Alma at his side, Hitchcock would not have been as brilliant, or would not have
pulled off `Psycho.'"
On
paper, Gervasi might have seemed an unusual choice to take on the inner sanctum
of the "Master of Suspense." A journalist who made his screenwriting
debut with Steven Spielberg's “The Terminal,” he is best known for directing
the acclaimed documentary “Anvil! The Story of Anvil,” the funny, raucous,
bittersweet account of an aging metal band's refusal to give up their rock n'
roll dreams.
Gervasi's
take was that the drama in Alfred and Alma's marriage - the real-life union
between an imperious director known for his dark obsessions and a ferociously
intelligent woman who was a pioneer at a time when women had almost no visible
power in Hollywood - would be as suspenseful, entertaining and raw as many of
Hitchcock's best films.
Producer
Tom Pollock admits there were a lot of other directors interested in the job
who had far more experience, but Gervasi's take was hard to resist. "Sacha
had a real vision of the film as a distinctive kind of love story and he also
understood that the story had to have a lot of humor," says Pollock.
Adds
producer Tom Thayer: "Sacha found a contemporary relevance in the
Hitchcock story that resonates for an audience. He made it the story of a
marriage, framing their relationship against the gauntlet Hitch encountered
developing `Psycho': an artist trying to reinvent himself in an industry that
wanted more of the same. It was Sacha mining the complexities of Hitch and
Alma's relationship through this lens that brought so much to the
surface."
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