Seth Grahame-Smith’s historical
and mythical fruition “Abraham Lincoln: Vampire Hunter” adapted into film by
acclaimed filmmakers Timur Bekmambetov and Tim Burton introduces Honest Abe
(played by Benjamin Walker), America’s 16th president as a vampire
slayer who is pitted against Rufus Sewell’s Adam, the movie’s main vampire
antagonist.
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| Rufus Sewell |
Adam’s
character didn’t appear in the original book but, in the writing of the
screenplay, evolved out of a need to create a key focus for Lincoln’s fight.
Adam, played by Rufus Sewell, is a creature of almost limitless power. “I see him as a kind of president of the
vampires, “adds Sewell.
Author-screenwriter Seth Grahame-Smith, who
created the character especially for the film, as its central villain, was
attracted to the idea of someone who has existed for untold millennia. “I
wondered what it would be like to live for hundreds of thousands of years – to
have been around since the building of the pyramids,” says Grahame-Smith. “What kind of personality would emerge from
that eternal existence?”
Grahame-Smith’s
vampires were polar opposites to the romantic figures captured in recent
memory, his creatures of the undead pay proper reverence to the classic
tradition of vampires in the movies.
“The vampires in our movie aren’t romantic or funny, and they certainly
don’t sparkle,” he notes. “Our vampires
are bloodthirsty and cunning – and most frightening of all, they’ve become a
part of the fabric of everyday life, working as blacksmiths, pharmacists, and
bankers.”
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| Sewell, Walker and Watson in a scene from Abraham Lincoln: Vampire Hunter |
Adam is a
warrior, leader, politician and pragmatist. With his aristocratic bearing and
Southern plantation home, Adam is like a malevolent Rhett Butler – a mix of
elegance and menace. His goals, says Tim
Burton, are in some ways quite relatable. “If you cast off your moral
assumptions, then all Adam wants is a place where he and those like him can
call home. He wants freedom for his
kind, but of course that comes at a horrible cost for so many.”
Adam hopes that
Abraham will become a formidable ally, instead of a deadly foe. “Adam, with all his abilities, is a
politician and pragmatist, much like Abraham himself,” notes Sewell. “And the wonderful thing is, he gets a chance
to meet with Lincoln, warrior-to-warrior, and in a way, president-to-president,
because Adam sees himself as the leader of a kind of vampire nation. Adam doesn’t use force against Lincoln, not
at first, because he’d much rather have Lincoln on his side.”
Abraham
absolutely rejects Adam’s overtures for an alliance, and so must face the
vampire’s full fury. “Adam can
transition from an erudite, sophisticated and cultured ‘man’ to a creature
capable of tearing your head off and sucking your lungs out through a hole in
your throat,” says Sewell.
“There's been a
spate of aesthetically-pleasing vampires in the past few years that it's not
unthinkable for a teenage girl to have the hots for one,” teases Sewell. “But
these vampires are not glittery: they're nasty. They're not good people.”
He adds: “It's
not a pretty look – the eyes are something to behold. A lot of the time my
character looks relatively presentable, but when he vamps out it's quite a
change in terms of the skin and the veins and the eyes.”
Most recently
seen in “The Tourist” with Angelina Jolie and Johnny Depp, Sewell first gained
attention with his television debut in 1994 as Will Ladislaw in the BBC
adaptation of “Middlemarch.” He garnered further acclaim in Christopher Hampton's
feature film “Carrington,” as well as in John Schlesinger's “Cold Comfort
Farm.” His other notable film works include “The Legend of Zorro,” “Tristan +
Isolde,” “A Knight’s Tale,” “Dark City” and “Hamlet.”
Prepare for the unexpected when “Abraham
Lincoln: Vampire Hunter” opens July 4 in cinemas (2D and 3D) nationwide from 20th
Century Fox to be distributed by Warner Bros.
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