|Thomas Horn and Max Von Sydow|
One of the most definitive novels about 9/11 becomes one of the year’s most cathartic cinematic experiences as Warner Bros. brings to the screen “Extremely Loud & Incredibly Close” starring Tom Hanks and Sandra Bullock. Directed by Stephen Daldry (“The Reader,” “The Hours”), the film has been nominated for Best Picture at this year's Academy Awards.
In 2005 the novelist Jonathan Safran Foer, already renowned for his blend of incisive comedy and tragedy in his debut novel “Everything Is Illuminated,” published his follow-up “Extremely Loud & Incredibly Close.” His second novel was, on the one hand, the playful story of an unusually precocious and sensitive boy who invents fantastical devices, dreams about astrophysics, collects a vast assortment of random facts – and is compelled into a quixotic odyssey through the fabric of New York. At the same time, the novel was the first major literary exploration into the grief of 9/11 families, and a study of how a child’s imagination helps him navigate overwhelming fear and unfathomable loss in the wake of events that no logic could possibly reconcile.
When Stephen Daldry read the book, he was struck most of all by Oskar’s subjective point of view. An unusual child with arrestingly high intelligence yet eccentric and obsessive behaviors that might put him on the autistic spectrum, Oskar describes the world around him with his own particular mix of naiveté and insight, nervousness and boldness, incomprehension and a need to understand. Most of all, Daldry was intrigued by how this POV, just like a child’s imagination, combined random thoughts, flashes of memory, lists of ideas and impromptu fantasies with pure emotion – all at a moment when life has irrevocably changed for Oskar’s family and the world around him.
“I found it truly compelling that Jonathan Safran Foer told this story not only from the perspective of a boy enduring unimaginable heartbreak, but a boy who has his own singular view of everything,” says Daldry. “It’s a perspective that is engaging, inventive and emotionally rich.”
Oskar’s very personal experience of September 11th, and what came after, was brought to the fore in a screenplay adaptation by Eric Roth, who wanted to be true to the distinctive immediacy of Foer’s novel. “It’s a very emotional book and I hope it is a very emotional movie,” says Roth. “There’s also a real kinetic energy to the book – and the challenge was to translate that into visual imagery.”
Like many kids with gifted intelligence, high sensory sensitivity and impaired social skills, Oskar thrives on schedules, rules and facts yet his search takes him far from the predictable and the comfortable. But no matter what obstacles stand in his way, Oskar is determined to complete his task.
“Oskar is a kid who is different, but in a wonderful way,” notes Roth. “He might have a form of Asperger’s but he also has a great imagination and a real sense of curiosity along with his many fears. For a long time, he was kept afloat very much by his father who enjoyed so many similar things. So now, when Oskar finds his father’s key a year after his death, he believes it has to unlock something – a piece of advice, an object, some wisdom that his father left for him. And it leads him on an adventure that is his way of coming to terms with grief and all sorts of other things.”
As Roth began compacting Foer’s wide-ranging plot and finding the cinematic structure, he found Foer to be a supportive resource. “Jonathan is a wonderful novelist but my ability is to be a good dramatist and bring the work alive on the screen. He really trusted me in that process and we developed a very close and collaborative relationship.”
Adds Stephen Daldry: “Jonathan really understands the difference between a book and a script, and was very helpful. He never once uttered the phrase, ‘Well, in the book…’ He was always open to interpretation and reinvention.”
“Extremely Loud & Incredibly Close” is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.