WORLD’S DARKEST HERO RIDES AGAIN IN “GHOST RIDER” SEQUEL

He fought the curse. Now, a new evil will make Johnny Blaze embrace his power. This February, the world’s darkest hero rides again in Warner Bros.’ supernatural action-thriller “Ghost Rider: Spirit of Vengeance.”

Starring Nicolas Cage, the film is directed by Neveldine/Taylor – also known as Mark Neveldine and Brian Taylor – who have earned a cult following with their stylish and edgy films, including “Crank” and “Gamer.” 

Neveldine explains that the directors were excited to approach their new film for two major reasons. “We were thrilled to have the opportunity to direct a franchise film with Nicolas Cage, and, second, to work with this really cool, edgy, comic book series – I mean, this dude has a flaming skull and kicks major ass,” says Neveldine. “I think the studio wanted to do something edgier with this franchise, so our attitude and style of filmmaking fit perfectly with the tone they were hoping to see. We were all on the same page.” 

With a free hand to give the film that edgy tone, the directors could let their imaginations run wild. “The only thing we knew we wanted to keep from the first film was Nick Cage. We wanted to change everything else – the way he looks, the way he dresses, the bike. We wanted souls to be burned and dragged to hell. And lucky for us, the studio said, ‘That’s great; that’s what we were hoping you’d say.’ And that became the start of our process. What we were really going for is a mood, a feeling, an aesthetic – to make him badass.”

That process continued all the way through production, as Neveldine and Taylor employ a kinetic style both in front of and behind the camera, as Cage explains. “The energy of making this film was a different experience,” says the actor. “It’s a much more wild, almost daredevil experience – even the way Mark Neveldine shoots. He’s like a stuntman, risking his life hundreds of times, hanging off of wires or shooting while skating on Rollerblades – he’s a very active, macho filmmaker. Fans are going to be blown away by the photography and Mark, Brian and (Director of Photography) Brandon Trost’s daredevil camerawork.”

Describing their intense set experience, Neveldine says, “At the end of the day, we have to get the performance and the shots, and we’ll get them any way we can. You’ll see us hanging off of cars and shooting on Rollerblades to push the cinematic envelope.”

Where other directors might choose to create the Ghost Rider’s world inside a computer, Neveldine/Taylor capture as much as they can practically. “We use real stunt guys and real motorcycle action – though we did set the guy’s head on fire in the computer afterwards,” says Taylor. “We think it makes for a better, more visceral experience for the viewer if they’re seeing something real.”

Editor Brian Berdan, who worked with the directors on Crank, says, “They are so creative; it’s all hand-held and intuitive and not totally planned out. That liveliness of a hand-held camera and someone with the sense of what to do with it makes it all really come to life. It can be a challenge to edit, because you get a ton of footage – some of which makes you initially think, ‘I can’t do anything with this,’ and then the camera will come in at just the right point and you grab exactly what you need!”

It’s a style that Cage relishes. “They have this gonzo energy, this wild intensity – they’re both really up for anything. I think I fit into that, too.”

“We were excited for our tone and dark humor to leak into the project,” says Neveldine. “At the same time, it was important to keep it grounded and hard-hitting.”

“Ghost Rider: Spirit of Vengeance” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

THE DAY AFTER 9/11 IN “EXTREMELY LOUD & INCREDIBLY CLOSE”

Thomas Horn and Max Von Sydow

One of the most definitive novels about 9/11 becomes one of the year’s most cathartic cinematic experiences as Warner Bros. brings to the screen “Extremely Loud & Incredibly Close” starring Tom Hanks and Sandra Bullock. Directed by Stephen Daldry (“The Reader,” “The Hours”), the film has been nominated for Best Picture at this year's Academy Awards.

In 2005 the novelist Jonathan Safran Foer, already renowned for his blend of incisive comedy and tragedy in his debut novel “Everything Is Illuminated,” published his follow-up “Extremely Loud & Incredibly Close.” His second novel was, on the one hand, the playful story of an unusually precocious and sensitive boy who invents fantastical devices, dreams about astrophysics, collects a vast assortment of random facts – and is compelled into a quixotic odyssey through the fabric of New York. At the same time, the novel was the first major literary exploration into the grief of 9/11 families, and a study of how a child’s imagination helps him navigate overwhelming fear and unfathomable loss in the wake of events that no logic could possibly reconcile. 

             When Stephen Daldry read the book, he was struck most of all by Oskar’s subjective point of view. An unusual child with arrestingly high intelligence yet eccentric and obsessive behaviors that might put him on the autistic spectrum, Oskar describes the world around him with his own particular mix of naiveté and insight, nervousness and boldness, incomprehension and a need to understand. Most of all, Daldry was intrigued by how this POV, just like a child’s imagination, combined random thoughts, flashes of memory, lists of ideas and impromptu fantasies with pure emotion – all at a moment when life has irrevocably changed for Oskar’s family and the world around him. 

              “I found it truly compelling that Jonathan Safran Foer told this story not only from the perspective of a boy enduring unimaginable heartbreak, but a boy who has his own singular view of everything,” says Daldry. “It’s a perspective that is engaging, inventive and emotionally rich.” 

Oskar’s very personal experience of September 11th, and what came after, was brought to the fore in a screenplay adaptation by Eric Roth, who wanted to be true to the distinctive immediacy of Foer’s novel. “It’s a very emotional book and I hope it is a very emotional movie,” says Roth. “There’s also a real kinetic energy to the book – and the challenge was to translate that into visual imagery.” 

             Like many kids with gifted intelligence, high sensory sensitivity and impaired social skills, Oskar thrives on schedules, rules and facts yet his search takes him far from the predictable and the comfortable. But no matter what obstacles stand in his way, Oskar is determined to complete his task. 

             “Oskar is a kid who is different, but in a wonderful way,” notes Roth. “He might have a form of Asperger’s but he also has a great imagination and a real sense of curiosity along with his many fears. For a long time, he was kept afloat very much by his father who enjoyed so many similar things. So now, when Oskar finds his father’s key a year after his death, he believes it has to unlock something – a piece of advice, an object, some wisdom that his father left for him. And it leads him on an adventure that is his way of coming to terms with grief and all sorts of other things.” 

             As Roth began compacting Foer’s wide-ranging plot and finding the cinematic structure, he found Foer to be a supportive resource. “Jonathan is a wonderful novelist but my ability is to be a good dramatist and bring the work alive on the screen. He really trusted me in that process and we developed a very close and collaborative relationship.”

             Adds Stephen Daldry: “Jonathan really understands the difference between a book and a script, and was very helpful. He never once uttered the phrase, ‘Well, in the book…’ He was always open to interpretation and reinvention.”

              “Extremely Loud & Incredibly Close” is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Katie Holmes in "Jack and Jill"

Katie Holmes and Adam Sandler in Jack and Jill

Katie Holmes stars opposite Adam Sandler in Columbia Pictures’ uproarious comedy “Jack and Jill.” 

In the film, Jack (Sandler) was living an almost perfect life, with the exception of one, annoying constant – his twin sister Jill (also Sandler). Every year he has to tolerate a Thanksgiving visit from his smothering sister, who doesn’t take long to turn his life upside down. As the weekend intrusion starts stretching into a month, the siblings fight, tease, and bicker in the way only twins can. When it becomes clear Jill is never leaving, Jack sets into motion several schemes that he hopes will return Jill to where he loves her most – the other side of the country.

Holmes joins the cast as Erin, Jack’s wife and mother to their two children. “She’s a very busy wife and mother,” Holmes explains. “When Jill comes to town and creates a lot of mayhem within the family, she’s the one who’s trying to keep it all together.

“It was wonderful to see Adam transform into Jill,” she continues. “As a woman, it was nice to have conversations with a man about shaving legs, how pantyhose and heels feel, and all of the tougher parts about being a woman. Adam was a great sport – it was really, really fun.”

Holmes has showcased her ability as an actress to play a wide spectrum of diversified roles. She has appeared in several notable films ranging from the action blockbuster “Batman Begins,” directed by Christopher Nolan, to critically acclaimed art house pictures such as Ang Lee's “The Ice Storm” and Peter Hedges' “Pieces of April.”

Holmes was most recently seen on the big screen in “Don’t Be Afraid of The Dark” and “The Son of No One.” On television, she portrayed First Lady Jacqueline Kennedy in “The Kennedys,” opposite Greg Kinnear as President John F. Kennedy. 

Holmes has worked with some of Hollywood's most prominent and talented directors. Her credits include “Wonder Boys,” directed by Curtis Hanson; “Thank You for Smoking,” directed by Jason Reitman; “The Gift,” directed by Sam Raimi; “Abandon,” directed by Stephen Gaghan; “Go,” directed by Doug Liman; “Phone Booth,” directed by Joel Schumacher; “First Daughter,” directed by Forest Whitaker; “Teaching Mrs. Tingle,” directed by Kevin Williamson; and “Disturbing Behavior,” directed by David Nutter. 2008 marked her Broadway debut in Arthur Millers “All My Sons” opposite John Lithgow, Dianne Wiest and Patrick Wilson. Her portrayal of Ann garnered glowing reviews and established her as an accomplished actress on both screen and stage.

In 1996, Holmes landed the role of Libbets Casey opposite Tobey Maguire and Sigourney Weaver in Lee's award-winning drama “The Ice Storm” while in Los Angeles for pilot season. A year later she was cast as Joey Potter on the TV series "Dawson's Creek," opposite James Van Der Beek and Michelle Williams. The show quickly became the highest-rated series on the WB network throughout its six-season run.

 “Jack and Jill” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit http://www.columbiapictures.com.ph for trailers, exclusive content and free downloads. Like us at www.Facebook.com/ColumbiaPicturesPH and join our fan contests.

CHANNING TATUM MUST WIN HIS WIFE BACK IN “THE VOW”

Channing Tatum in The Vow

One of Hollywood’s most sought after young actors who have established themselves among the next generation of leading men, Channing Tatum (“G.I. Joe,” “Dear John”) now stars opposite Rachel McAdams in Columbia Pictures' inspiring romantic drama “The Vow.”

             In the film, newlyweds Paige (McAdams) and Leo (Tatum) were struck by tragedy shortly after their marriage. A car crash puts Paige in a coma, where she is cared for by her devoted husband. When she comes to, without any memory of her husband or their marriage, the husband must woo her and ultimately win her heart once again. 

             Tatum is a self-proclaimed hopeless romantic, and felt the script told an authentic story about a once in a lifetime love and what people will do to hold on to that. “Falling in love is the easy part!” notes Tatum. “Getting on with your life together and making sure you stay in touch and connected because life can get in the way sometimes, that’s the tough part. I think that a huge part of Leo and Paige’s journey is based on the fact that not only do they make each other intensely happy and support each other, but that they pushed each other to grow and when you do that it really does take you to the next level in a relationship and in life.”

             The actor admits that he found the role emotionally difficult at times because, as a young husband himself, he couldn’t help but imagine himself in this situation: “I hope I would be as brave as Leo is; it’s heartbreaking for him, but he has the faith to let Paige find her own way. And this role is great because Leo is so truthful about his love, he doesn’t hold it back, and I can relate to that. I love love! It’s harder to play than running around with guns and being physical, but it’s very satisfying.”

             Tatum says it made total sense to him to work so hard to win Paige back: “If my wife (actress Jenna Dewan) lost her memory of me, I wouldn’t just be like ‘Okay, alright, well, see you later, good luck’. No. I’d be fighting tooth and nail and plug away at this until it comes back. No matter what.”

             He continues: “It’s so frustrating for Leo because there’s nothing visibly wrong with his wife; she talks like Paige, she walks like Paige, everything is exactly the same, but it’s just her memory of her husband is completely gone. And it’s that much more painful that she remembered other people, her family, but just not her husband and everything they had been together.”

             For director Michael Sucsy, casting Tatum was a case of finding the soldier of love in an established movie warrior. “The Leo role is a knight in shining armor, and prior to this I’d only seen Channing’s work where he’d been in tough, military roles. So I went to meet him, and we sat down, and I called the producers afterward and I said, ‘He is the guy. He’s Leo. It’s perfect for him.’ I got the sense that his heart was bigger than his chest cavity. He’s got a huge heart, Channing does, and so does Leo, and that really comes out when he has to keep sticking with his wife through the ups and downs.”

             From Rachel McAdams’ point of view, “Channing Tatum is the perfect guy for this role because he’s a real renaissance man; chivalrous and gentlemanly. He’s playing someone who would do anything to win back his wife’s heart and that’s very much, I think, who Channing is. He’s a very heroic kind of guy, so yeah, and I know he loves love and really believes in it and I think he made Leo a really stoic character that you just fall in love with and believe that he’s definitely the rock in the relationship throughout. He added such lovely little touches to Leo.”

             All in all, Channing Tatum sums up the core of the movie’s message this way: “It’s a big deal to vow yourself for life to somebody and mean it. It really is something.”

             Tatum will next star in a contemporary motion picture adaptation of “21 Jump Street” opposite Jonah Hill. Tatum and Hill are also executive producers on the project, which is directed by Phil Lord and Christopher Miller.

             “The Vow” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit www.columbiapictures.com.ph to see the latest trailers, get free downloads and play free movie games.