Brad Pitt is making the movie star
thing look darn easy. Since he last collaborated with director Andrew Dominik,
he's starred in the Coen brothers' "Burn After Reading," David
Fincher's "The Curious Case of Benjamin Button," Quentin Tarantino's
"Inglourious Basterds," Terrence Malick's "The Tree of
Life," and Bennett Miller's "Moneyball."
It's
been arguably the best stretch of his career, one vacillating between comedy
and drama and defined not by summer blockbusters but by provocative
director-oriented fare.
The
bookends to the period are Dominik's "The Assassination of Jesse James by
the Coward Robert Ford" and "Killing Them Softly.” Things are going
great even as Pitt insists that movie-making is not his top priority.
"Right
now, I'm just attracted to being a dad," said Pitt in an interview.
"Film-wise, we get to do this thing and I feel very fortunate to get to do
this. So I want to contribute to the art form. I think the films have to speak
to our time and be authentic in their approach."
"Killing
Them Softly" is adapted from George V. Higgins' 1974 crime novel
"Cogan's Trade." It's a stylized, ruthless noir with a host of fine
performances — by James Gandolfini, Scoot McNairy, Ben Mendelsohn and Ray
Liotta — in a brutally violent criminal wasteland.
Just
as "Jesse James" used the western genre to explore a contemporary
idea (celebrity culture), "Killing Them Softly" is really about
capitalism. While gangsters and criminals maneuver in a grim world of
backstabbing, reputation guarding and the perpetual pursuit of money, the
background of the film is filled with speeches and billboards of former
President George W. Bush and President Barack Obama. Dominik has transplanted
the story to 2008, adding the financial crisis as a backdrop for a cynical
commentary on American greed.
"I
immediately latched on to it because it was precisely the stories we were
seeing on the news every day," says Pitt. "Everyone was talking about
restoring market confidence and meanwhile people were losing their homes left
and right."
Dominik,
the New Zealand-born filmmaker of considerable visual flare, wrote the script
in the midst of the financial crisis. He saw a connection between Wall Street's
power brokers and Higgins' hoods: both showed "the consequences of blindly
chasing a buck." "Maybe crime films are about capitalism at its
blunt, bottom end," says the director. "It became a vehicle for some
ideas."
The
quality of Pitt's movies in recent years may not be a coincidence. He's
increasingly produced films through his production company, Plan B. The company
was more nascent when it produced "Jesse James," but has recently had
noted success. Plan B helped produce last year's Palm d'Or winner in Cannes,
"The Tree of Life," and the Oscar-nominated "Moneyball."
"I don't expect every year to go that way," he says. "According
to the laws of physics, things will balance out. But we're clear in our
mandate: Pushing stories and helping storytellers get the film to the screen.
Ones that are tougher, we feel we can help out."
Pitt
runs Plan B, which produced "Killing Them Softly," with Dede Gardner
and Jeremy Kleiner, and compares their trio to "a little garage
band." "I'm focusing more on producing this year than getting in
front of the camera," says Pitt, adding that he's particularly excited
about producing the next film from director Steve McQueen ("Shame").
Dominik
gave a comedic tone to “Killing Them Softly,” which is largely centered on a
series of Beckett-like conversations between the thieves, punctured by bloody
outbursts. On hatching a dubious plan, one says: "We're not the only smart
guys in the world." "I wanted it to be very square and straight
faced, almost like a comic strip panel," says Dominik.
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